From a bird's-eye view, a hyper-realistic scene unfolds as a 16th-century pirate ship finds itself marooned in the midst of a flooded highway in Makassar, Indonesia. The venerable vessel, its once-tall sails now tattered and its wooden hull weathered by centuries of time, sits at an incongruous rest amidst the rising waters that have submerged the city street. Elevated flyovers are packed with cars stuck in an unrelenting traffic jam, brought to a standstill by the heavy, unyielding rain. To the backdrop, the towering structure of the University of Makassar campus rises above the mist, a modern beacon amid the chaos. Nearby, numerous Pinisi ships alongside small boats bob helplessly on the undulating floodwaters, seemingly adrift in this surreal tableau. The atmosphere is one of drama and disorder, with roiling dark clouds churning in the sky, intermittently split by jagged lightning that casts stark illumination upon the scene. The rain pours down relentlessly, weaving a damp, misty veil across the cityscape, as ripples dance across the inundated streets, reflecting the uncanny spectacle above. The interplay of the ancient and the modern—the stranded pirate relic amidst a contemporary urban setting—exudes a cinematic aura, with the tempestuous weather underscoring the formidable strength of nature and the unforeseen collision of eras. This unexpected melding of timelines and environments serves as a poignant reminder of nature’s dominance, as the storm's fury and the flood's persistence reshape the familiar into something extraordinary.